Erik Satie and the King of the Beans - Part II

Shotlist & Visual Analysis

The still from 'Erik Satie and the King of the Beans - Part II' features a rustic scene with a large garment hanging on a line outside a window. The background shows a stone wall and several windows with visible curtains, creating an intimate, domestic atmosphere. The color tone is warm, possibly sepia, enhancing a nostalgic or whimsical feel. The image suggests simplicity and everyday life, aligning with the artistic and surreal themes of the film.

00:00:00.000 — The still from 'Erik Satie and the King of the Beans - Part II' features a rustic scene with a large garment hanging on a line outside a window. The background shows a stone wall and several windows with visible curtains, creating an intimate, domestic atmosphere. The color tone is warm, possibly sepia, enhancing a nostalgic or whimsical feel. The image suggests simplicity and everyday life, aligning with the artistic and surreal themes of the film.

The 16mm still from 'Erik Satie and the King of the Beans - Part II' features a character facing a wall adorned with two drawings. One illustration depicts whimsical, abstract houses with varying shapes and sizes, while the other shows a cartoonish figure in a coat and hat. The scene has a reddish tint, contributing to a surreal atmosphere, reflecting the whimsical nature of the narrative.

00:00:32.666 — The 16mm still from 'Erik Satie and the King of the Beans - Part II' features a character facing a wall adorned with two drawings. One illustration depicts whimsical, abstract houses with varying shapes and sizes, while the other shows a cartoonish figure in a coat and hat. The scene has a reddish tint, contributing to a surreal atmosphere, reflecting the whimsical nature of the narrative.

The still from 'Erik Satie and the King of the Beans - Part II' features a man with a beard adjusting his collar, dressed in period attire. He appears thoughtful and is set against a backdrop that suggests a cozy, perhaps whimsical interior. A boy in the background adds to the scene, enhancing the playful tone of the narrative. The warm red tint gives a unique, nostalgic feel to the image.

00:00:36.803 — The still from 'Erik Satie and the King of the Beans - Part II' features a man with a beard adjusting his collar, dressed in period attire. He appears thoughtful and is set against a backdrop that suggests a cozy, perhaps whimsical interior. A boy in the background adds to the scene, enhancing the playful tone of the narrative. The warm red tint gives a unique, nostalgic feel to the image.

The still features a wooden box labeled 'Le Ménagerie' resting on a bedside table. The scene is imbued with a red tint, contributing to a nostalgic or dreamlike atmosphere. A bed frame is visible in the background, hinting at an intimate or personal setting. The composition suggests a moment of stillness, inviting curiosity about the contents of the box and its significance in the story.

00:00:41.241 — The still features a wooden box labeled 'Le Ménagerie' resting on a bedside table. The scene is imbued with a red tint, contributing to a nostalgic or dreamlike atmosphere. A bed frame is visible in the background, hinting at an intimate or personal setting. The composition suggests a moment of stillness, inviting curiosity about the contents of the box and its significance in the story.

The still features a hand holding a stack of illustrated drawings, prominently displaying a cartoonish dog with exaggerated features. The drawings seem playful and whimsical, suggesting a lighthearted tone. Text elements like 'POSTI DUE' and “VOLARE” are visible, hinting at a narrative or thematic connection related to music or comedy. The overall visual style has a warm, faded quality typical of vintage film, contributing to its nostalgic atmosphere.

00:00:49.283 — The still features a hand holding a stack of illustrated drawings, prominently displaying a cartoonish dog with exaggerated features. The drawings seem playful and whimsical, suggesting a lighthearted tone. Text elements like 'POSTI DUE' and “VOLARE” are visible, hinting at a narrative or thematic connection related to music or comedy. The overall visual style has a warm, faded quality typical of vintage film, contributing to its nostalgic atmosphere.

The still from 'Erik Satie and the King of the Beans - Part II' features a man with a beard and glasses, dressed in a formal shirt and vest. He stands beside a fishbowl on a pedestal, appearing animated and expressive. The scene has a warm, reddish tint, contributing to a whimsical and slightly surreal atmosphere. The context suggests a blend of music and visual art, reflecting Satie's avant-garde style.

00:01:24.718 — The still from 'Erik Satie and the King of the Beans - Part II' features a man with a beard and glasses, dressed in a formal shirt and vest. He stands beside a fishbowl on a pedestal, appearing animated and expressive. The scene has a warm, reddish tint, contributing to a whimsical and slightly surreal atmosphere. The context suggests a blend of music and visual art, reflecting Satie's avant-garde style.

The still depicts a young boy playing a piano in a cozy, sunlit interior, surrounded by windows. He is focused on the keys, with his back turned to the viewer. The warm red tint adds a nostalgic and whimsical atmosphere, enhancing the enchanting mood of the scene from 'Erik Satie and the King of the Beans - Part II.'

00:01:33.160 — The still depicts a young boy playing a piano in a cozy, sunlit interior, surrounded by windows. He is focused on the keys, with his back turned to the viewer. The warm red tint adds a nostalgic and whimsical atmosphere, enhancing the enchanting mood of the scene from 'Erik Satie and the King of the Beans - Part II.'

The still from 'Erik Satie and the King of the Beans - Part II' depicts a shaggy dog sitting near a wooden post, with its tongue out, suggesting a playful or curious demeanor. The warm, reddish tint of the image adds a nostalgic or whimsical atmosphere, typical of the film's artistic style. The background suggests a cozy or rustic setting, contributing to the overall tone of the piece.

00:02:06.560 — The still from 'Erik Satie and the King of the Beans - Part II' depicts a shaggy dog sitting near a wooden post, with its tongue out, suggesting a playful or curious demeanor. The warm, reddish tint of the image adds a nostalgic or whimsical atmosphere, typical of the film's artistic style. The background suggests a cozy or rustic setting, contributing to the overall tone of the piece.

The still features a warm, reddish tint and presents a close-up view of a wooden ledge with a round object on it, possibly a ball. In the background, there are shutters, adding a sense of depth. The scene evokes a whimsical, surreal atmosphere characteristic of Erik Satie's artistic style.

00:02:15.769 — The still features a warm, reddish tint and presents a close-up view of a wooden ledge with a round object on it, possibly a ball. In the background, there are shutters, adding a sense of depth. The scene evokes a whimsical, surreal atmosphere characteristic of Erik Satie's artistic style.

The still from 'Erik Satie and the King of the Beans - Part II' features a dog peering through a doorway, with a soft-focus and warm color palette indicative of vintage film. The scene suggests a whimsical or playful atmosphere, reflecting the surreal and imaginative essence of the work.

00:02:23.944 — The still from 'Erik Satie and the King of the Beans - Part II' features a dog peering through a doorway, with a soft-focus and warm color palette indicative of vintage film. The scene suggests a whimsical or playful atmosphere, reflecting the surreal and imaginative essence of the work.

The still from 'Erik Satie and the King of the Beans - Part II' depicts a woman in a patterned blouse and skirt, standing at a doorway. She appears to be holding a white cloth, possibly a curtain or garment, and is engaged in a thoughtful or playful manner. The image has a warm, reddish tint, evoking a nostalgic feel typical of 16mm film. The setting suggests an intimate or whimsical atmosphere, aligning with the artistic themes often associated with Erik Satie's work.

00:02:25.579 — The still from 'Erik Satie and the King of the Beans - Part II' depicts a woman in a patterned blouse and skirt, standing at a doorway. She appears to be holding a white cloth, possibly a curtain or garment, and is engaged in a thoughtful or playful manner. The image has a warm, reddish tint, evoking a nostalgic feel typical of 16mm film. The setting suggests an intimate or whimsical atmosphere, aligning with the artistic themes often associated with Erik Satie's work.

The still features a young boy standing amidst draped fabric and foliage, creating a whimsical and slightly surreal atmosphere. The color palette leans towards warm tones, enhancing the dreamlike quality. The boy's expression is contemplative, suggesting curiosity or introspection, fitting the imaginative context of 'Erik Satie and the King of the Beans - Part II.'

00:02:30.851 — The still features a young boy standing amidst draped fabric and foliage, creating a whimsical and slightly surreal atmosphere. The color palette leans towards warm tones, enhancing the dreamlike quality. The boy's expression is contemplative, suggesting curiosity or introspection, fitting the imaginative context of 'Erik Satie and the King of the Beans - Part II.'

The still features a woman intently focused on her task, holding a piece of fabric while manipulating a long needle. The color palette has a warm, reddish tone, creating a nostalgic atmosphere. Her expression suggests concentration or determination, contributing to the thematic essence of the piece. The context ties into the broader narrative of 'Erik Satie and the King of the Beans - Part II,' likely exploring themes of creativity and artistic endeavor.

00:02:41.261 — The still features a woman intently focused on her task, holding a piece of fabric while manipulating a long needle. The color palette has a warm, reddish tone, creating a nostalgic atmosphere. Her expression suggests concentration or determination, contributing to the thematic essence of the piece. The context ties into the broader narrative of 'Erik Satie and the King of the Beans - Part II,' likely exploring themes of creativity and artistic endeavor.

The still from 'Erik Satie and the King of the Beans - Part II' features a character smiling while hanging laundry on a line. The image has a warm, reddish tone, with various pieces of clothing, including striped and patterned items, contributing to a domestic, whimsical atmosphere. The background suggests a rustic or vintage setting, aligning with the film's artistic style.

00:02:43.196 — The still from 'Erik Satie and the King of the Beans - Part II' features a character smiling while hanging laundry on a line. The image has a warm, reddish tone, with various pieces of clothing, including striped and patterned items, contributing to a domestic, whimsical atmosphere. The background suggests a rustic or vintage setting, aligning with the film's artistic style.

The still depicts a woman in a vintage dress peering out from a wooden door. She appears surprised or concerned, with a focused expression. The scene is characterized by muted tones, suggesting a nostalgic or artistic quality. A piece of fabric hangs nearby, adding to the domestic setting. The overall atmosphere hints at a moment of tension or curiosity in the narrative.

00:02:45.599 — The still depicts a woman in a vintage dress peering out from a wooden door. She appears surprised or concerned, with a focused expression. The scene is characterized by muted tones, suggesting a nostalgic or artistic quality. A piece of fabric hangs nearby, adding to the domestic setting. The overall atmosphere hints at a moment of tension or curiosity in the narrative.

The still from 'Erik Satie and the King of the Beans - Part II' features a close-up of a wooden ladder, with a warm red tint giving the scene a nostalgic feel. The texture of the wood is highlighted, suggesting a focus on craft and simplicity, which aligns with the whimsical tone of Satie's music. The composition draws viewers into the intimate environment, possibly hinting at themes of aspiration or journey within the narrative.

00:02:47.467 — The still from 'Erik Satie and the King of the Beans - Part II' features a close-up of a wooden ladder, with a warm red tint giving the scene a nostalgic feel. The texture of the wood is highlighted, suggesting a focus on craft and simplicity, which aligns with the whimsical tone of Satie's music. The composition draws viewers into the intimate environment, possibly hinting at themes of aspiration or journey within the narrative.

The 16mm still from 'Erik Satie and the King of the Beans - Part II' features a man with a beard and glasses, dressed in period attire, staring pensively towards a window or door. The image has a warm, reddish tint, enhancing its nostalgic atmosphere. The scene suggests introspection or contemplation, fitting the imaginative theme of the film centered around the composer Erik Satie.

00:02:51.104 — The 16mm still from 'Erik Satie and the King of the Beans - Part II' features a man with a beard and glasses, dressed in period attire, staring pensively towards a window or door. The image has a warm, reddish tint, enhancing its nostalgic atmosphere. The scene suggests introspection or contemplation, fitting the imaginative theme of the film centered around the composer Erik Satie.

The still from 'Erik Satie and the King of the Beans - Part II' features a woman with a distressed expression, holding a garment and a rod, suggesting a moment of confusion or alarm. The warm color palette enhances the emotional intensity of the scene, hinting at a comedic or surreal narrative.

00:02:56.543 — The still from 'Erik Satie and the King of the Beans - Part II' features a woman with a distressed expression, holding a garment and a rod, suggesting a moment of confusion or alarm. The warm color palette enhances the emotional intensity of the scene, hinting at a comedic or surreal narrative.

The still from 'Erik Satie and the King of the Beans - Part II' features two characters engaged in an intense conversation. One character, a man with a beard and glasses, appears serious, while the boy, dressed in a sweater, is animated and gesturing with his hand. The warm, reddish tint of the image creates a nostalgic or whimsical mood, enhancing the emotional atmosphere of the scene.

00:02:59.746 — The still from 'Erik Satie and the King of the Beans - Part II' features two characters engaged in an intense conversation. One character, a man with a beard and glasses, appears serious, while the boy, dressed in a sweater, is animated and gesturing with his hand. The warm, reddish tint of the image creates a nostalgic or whimsical mood, enhancing the emotional atmosphere of the scene.

The still from 'Erik Satie and the King of the Beans - Part II' depicts a woman hanging laundry. She is wearing a long skirt and appears engaged in her task, with a focus on the movement of her arms as she hangs pieces of clothing. The warm, muted tones of the image suggest a nostalgic or whimsical atmosphere, consistent with the creative style of the film. The setting features simple interior elements, adding to the everyday nature of the scene.

00:03:05.218 — The still from 'Erik Satie and the King of the Beans - Part II' depicts a woman hanging laundry. She is wearing a long skirt and appears engaged in her task, with a focus on the movement of her arms as she hangs pieces of clothing. The warm, muted tones of the image suggest a nostalgic or whimsical atmosphere, consistent with the creative style of the film. The setting features simple interior elements, adding to the everyday nature of the scene.

The still from 'Erik Satie and the King of the Beans - Part II' features a soft, surreal composition with a dreamlike quality. It shows a figure partially obscured by flowing fabric, hinting at themes of transformation and whimsy. The warm, pinkish tones create an ethereal atmosphere, aligning with the film's playful and avant-garde essence. The use of textile textures suggests a sense of movement and storytelling.

00:03:13.093 — The still from 'Erik Satie and the King of the Beans - Part II' features a soft, surreal composition with a dreamlike quality. It shows a figure partially obscured by flowing fabric, hinting at themes of transformation and whimsy. The warm, pinkish tones create an ethereal atmosphere, aligning with the film's playful and avant-garde essence. The use of textile textures suggests a sense of movement and storytelling.

The still from 'Erik Satie and the King of the Beans - Part II' features a softly illuminated scene with a prominent circular opening, partially obscured by flowing fabric. The color palette leans towards warm reds, creating an atmospheric and somewhat abstract composition. The focus appears to be on textures and shapes rather than distinct objects, suggesting a dreamlike or surreal quality. The overall mood is contemplative and enigmatic, aligning with the avant-garde themes of the work.

00:03:50.464 — The still from 'Erik Satie and the King of the Beans - Part II' features a softly illuminated scene with a prominent circular opening, partially obscured by flowing fabric. The color palette leans towards warm reds, creating an atmospheric and somewhat abstract composition. The focus appears to be on textures and shapes rather than distinct objects, suggesting a dreamlike or surreal quality. The overall mood is contemplative and enigmatic, aligning with the avant-garde themes of the work.

The still from 'Erik Satie and the King of the Beans - Part II' features a rustic interior scene, with clothes hanging on a line. The colors have a warm, reddish tint, creating a nostalgic or dreamlike atmosphere. The background suggests an old wooden structure, enhancing the intimate and domestic feel of the moment. The simplicity of the scene reflects a focus on everyday life, resonating with Satie's themes of subtlety and the ordinary.

00:03:58.972 — The still from 'Erik Satie and the King of the Beans - Part II' features a rustic interior scene, with clothes hanging on a line. The colors have a warm, reddish tint, creating a nostalgic or dreamlike atmosphere. The background suggests an old wooden structure, enhancing the intimate and domestic feel of the moment. The simplicity of the scene reflects a focus on everyday life, resonating with Satie's themes of subtlety and the ordinary.

The still from 'Erik Satie and the King of the Beans - Part II' illustrates a whimsical scene featuring a character near a rustic setting. A striped garment hangs prominently on a line, adding a playful contrast to the earthy tones of the background. The character's facial expression hints at curiosity or contemplation, contributing to the overall surreal atmosphere of the film. The setting feels intimate and slightly nostalgic, evoking a sense of simplicity amidst the quirky narrative.

00:04:27.801 — The still from 'Erik Satie and the King of the Beans - Part II' illustrates a whimsical scene featuring a character near a rustic setting. A striped garment hangs prominently on a line, adding a playful contrast to the earthy tones of the background. The character's facial expression hints at curiosity or contemplation, contributing to the overall surreal atmosphere of the film. The setting feels intimate and slightly nostalgic, evoking a sense of simplicity amidst the quirky narrative.

The still from 'Erik Satie and the King of the Beans - Part II' features a dimly lit scene with a partially open door, revealing a hint of movement or a figure peeking through. The color tone is reddish, creating an atmosphere of mystery or whimsy, fitting the film's imaginative narrative. The setting appears somewhat rustic, marked with textures that suggest age, contributing to the overall aesthetic of the piece.

00:04:33.840 — The still from 'Erik Satie and the King of the Beans - Part II' features a dimly lit scene with a partially open door, revealing a hint of movement or a figure peeking through. The color tone is reddish, creating an atmosphere of mystery or whimsy, fitting the film's imaginative narrative. The setting appears somewhat rustic, marked with textures that suggest age, contributing to the overall aesthetic of the piece.

The still from 'Erik Satie and the King of the Beans - Part II' features a person peering over a wooden railing surrounded by plants. Clothes are hung on a line above, creating a domestic setting with a warm, muted color palette. The scene suggests a sense of curiosity or intrigue, characteristic of a narrative moment. The backdrop is simple, enhancing the focus on the figure and their interaction with the environment.

00:04:35.475 — The still from 'Erik Satie and the King of the Beans - Part II' features a person peering over a wooden railing surrounded by plants. Clothes are hung on a line above, creating a domestic setting with a warm, muted color palette. The scene suggests a sense of curiosity or intrigue, characteristic of a narrative moment. The backdrop is simple, enhancing the focus on the figure and their interaction with the environment.

The still from 'Erik Satie and the King of the Beans - Part II' features a man dressed in period attire, including a vest and shirt. He stands in front of a rustic structure, which resembles a small building or house. The setting is enhanced by hanging garments, adding to the atmosphere. The color tone is warm, giving the scene a vintage feel.

00:04:55.228 — The still from 'Erik Satie and the King of the Beans - Part II' features a man dressed in period attire, including a vest and shirt. He stands in front of a rustic structure, which resembles a small building or house. The setting is enhanced by hanging garments, adding to the atmosphere. The color tone is warm, giving the scene a vintage feel.

The still from 'Erik Satie and the King of the Beans - Part II' features a blurred, abstract image with warm tones. It suggests motion, possibly depicting a character or action within the narrative, evoking a whimsical or dreamlike atmosphere typical of the film's artistic style. The texture may hint at the film's vintage characteristics.

00:05:04.437 — The still from 'Erik Satie and the King of the Beans - Part II' features a blurred, abstract image with warm tones. It suggests motion, possibly depicting a character or action within the narrative, evoking a whimsical or dreamlike atmosphere typical of the film's artistic style. The texture may hint at the film's vintage characteristics.

The still from 'Erik Satie and the King of the Beans - Part II' features a man with long hair and glasses, expressing intense emotion as he interacts with a cloth or piece of fabric. The warm color palette adds a vintage feel, reflecting the film's stylistic choices. The setting appears rustic, enhancing the whimsical atmosphere typical of works inspired by Satie's music.

00:05:22.589 — The still from 'Erik Satie and the King of the Beans - Part II' features a man with long hair and glasses, expressing intense emotion as he interacts with a cloth or piece of fabric. The warm color palette adds a vintage feel, reflecting the film's stylistic choices. The setting appears rustic, enhancing the whimsical atmosphere typical of works inspired by Satie's music.

The still from 'Erik Satie and the King of the Beans - Part II' features a young boy interacting with an adult man on a balcony. The adult, presumably inspired by Erik Satie, sports a beard and formal attire. Background elements include hanging laundry and a rustic setting, suggesting a domestic atmosphere. The color palette is muted, creating a nostalgic tone that reflects the film's style.

00:05:36.403 — The still from 'Erik Satie and the King of the Beans - Part II' features a young boy interacting with an adult man on a balcony. The adult, presumably inspired by Erik Satie, sports a beard and formal attire. Background elements include hanging laundry and a rustic setting, suggesting a domestic atmosphere. The color palette is muted, creating a nostalgic tone that reflects the film's style.

The still from 'Erik Satie and the King of the Beans - Part II' features a vintage setting where framed artworks adorn a wall. The text labels 'Writers:' and 'Ed Leimbacher' appear prominently, suggesting a focus on writers and their contributions. A mirror reflects a figure wearing a top hat, hinting at themes of performance or identity. The color palette conveys a warm, sepia tone, adding to the nostalgic atmosphere.

00:05:45.445 — The still from 'Erik Satie and the King of the Beans - Part II' features a vintage setting where framed artworks adorn a wall. The text labels 'Writers:' and 'Ed Leimbacher' appear prominently, suggesting a focus on writers and their contributions. A mirror reflects a figure wearing a top hat, hinting at themes of performance or identity. The color palette conveys a warm, sepia tone, adding to the nostalgic atmosphere.

The still features a man in period attire, wearing glasses and a mustache, holding a hat aloft. The image has a vintage quality, typical of a 16mm film, with a soft focus and a slight pink tint. Overlayed text identifies 'Joe Valentine' as the editor, suggesting his role in the production of 'Erik Satie and the King of the Beans - Part II.' The overall aesthetic evokes a whimsical, historical ambiance associated with early cinema.

00:05:47.214 — The still features a man in period attire, wearing glasses and a mustache, holding a hat aloft. The image has a vintage quality, typical of a 16mm film, with a soft focus and a slight pink tint. Overlayed text identifies 'Joe Valentine' as the editor, suggesting his role in the production of 'Erik Satie and the King of the Beans - Part II.' The overall aesthetic evokes a whimsical, historical ambiance associated with early cinema.

The still features a man, dressed in a suit and bowler hat, standing in front of a building, appearing to engage with the doorway. The image has a distinct pink hue, giving it a stylized, vintage look. Text overlay credits Mike Van Ackeren for photography, suggesting a focus on visual aesthetics in the film 'Erik Satie and the King of the Beans - Part II.' The scene conveys a sense of whimsy and playful engagement with the environment.

00:05:50.617 — The still features a man, dressed in a suit and bowler hat, standing in front of a building, appearing to engage with the doorway. The image has a distinct pink hue, giving it a stylized, vintage look. Text overlay credits Mike Van Ackeren for photography, suggesting a focus on visual aesthetics in the film 'Erik Satie and the King of the Beans - Part II.' The scene conveys a sense of whimsy and playful engagement with the environment.

The still from 'Erik Satie and the King of the Beans - Part II' presents a monochromatic image with a reddish tint. It shows a figure wearing a hat, possibly reaching for something or engaged in an action. The credits mention Kent Bishop as the Unit Manager, positioned at the bottom of the frame. The overall aesthetic reflects a vintage film quality, typical of 16mm cinematography.

00:05:52.385 — The still from 'Erik Satie and the King of the Beans - Part II' presents a monochromatic image with a reddish tint. It shows a figure wearing a hat, possibly reaching for something or engaged in an action. The credits mention Kent Bishop as the Unit Manager, positioned at the bottom of the frame. The overall aesthetic reflects a vintage film quality, typical of 16mm cinematography.

The still from 'Erik Satie and the King of the Beans - Part II' features two characters: a young boy holding a stick and a man in a bowler hat with a mustache. The scene is framed against a textured background, and the cast list appears prominently on the left side. The overall color scheme has a pinkish tint, contributing to the film's vintage aesthetic.

00:05:53.954 — The still from 'Erik Satie and the King of the Beans - Part II' features two characters: a young boy holding a stick and a man in a bowler hat with a mustache. The scene is framed against a textured background, and the cast list appears prominently on the left side. The overall color scheme has a pinkish tint, contributing to the film's vintage aesthetic.

Film Transcript / Subtitles

I hope you realize what a singular honor I'm bestowing upon you, Mr. King of the Beans. You are the first outsider ever to be admitted to this room of mine. Confounded color button. Did you draw all these? Oh, that. Merely things to amuse myself. I assure you, sir, I look for fun in everything I do, just like you. I came into the world when I was very young, at a time which was very old. Ah-ha. What does this mean? What does this mean? How could anybody play this like a nightingale with a toothache? Very easily. Any pianist with a sense of humor would know exactly what I meant. As for the rest, the puffed-up ones will never enjoy these works. Let them swallow their beards. Let them dance on their own stomachs. Here, this is a piece I've been working on. Go for it. Thank you, sir. Watch for it. Well, for this study, I came amplifying this place. Oh, yes. Thank you. Leroy! Leroy! Leroy! Leroy! Leroy! Leroy! Oh, I'm sorry, monsieur. Think nothing of it, madame. I'm content that you two are at peace. It's time we were going. Well, sir, it's been a remarkable day. I thank you indeed. Oh, yes. Do you remember that new piece that I played for you? Well, I've decided on how to finish it, and I've also thought of a suitable title. I shall call it The War Song of the King of the Beans. So that was Eric Satie. Do you think you would like to have known him? You still can, if you listen to his music. Yes, I think you would like to have known him. I think he was a good one. He was a good one. He was a good one. He was a good one. He was a good one. He was a good one.